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Francois Boucher

French Rococo Era Painter, 1703-1770

Pintura Identificación::  26675
Venus
Venus
mk53 1754 oil on canvas 79.2x138.7cm
mk53 1754 engrasan en la lona 79.2x138.7cm
French Rococo Era Painter, 1703-1770

   
 

 

 
   
      

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Francois Boucher

French Rococo Era Painter, 1703-1770

Pintura Identificación::  26686
Venus
Venus
mk53 1754 black chalk and pastel on light brown paper 42.7x30.3cm photograph courtesy of Christie s
mk53 1754 tiza y la pintura a pastel negras en la cortesía ligera de fotografía de papel de estraza 42.7x30.3cm de s de Christie
French Rococo Era Painter, 1703-1770

   
 

 

 
   
      


Pintura Identificación::  28842
Venus
Venus
mk65 Oil on canvas 46 7/8x65in
el Petróleo mk65 en la lona 46 7/8x65in

   
 

 

 
   
      

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LORENZO DI CREDI

Italian High Renaissance Painter, ca.1458-1537

Pintura Identificación::  29768
Venus
Venus
mk67 Oil on panel 59 7/16x27 3/16in Uffizi,Gallery
el Petróleo mk67 enel entrepaño 59 Uffizi 7/16x27 3/16in, la Galería
Italian High Renaissance Painter, ca.1458-1537

   
 

 

 
   
      

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LORENZO DI CREDI

Italian High Renaissance Painter, ca.1458-1537

Pintura Identificación::  40266
Venus
Venus
mk156 c.1493 Oil on canvas 151x69cm
mk156 C. 1493 Petróleo en la lona 151x69cm
Italian High Renaissance Painter, ca.1458-1537

   
 

 

 
   
      

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Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640

Pintura Identificación::  52964
Venus
mk225 1614 51.5x79cm
Flemish Baroque Era Painter, 1577-1640

   
 

 

 
   
      

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Amedeo Modigliani

Italian Expressionist Painter and Sculptor, 1884-1920

Pintura Identificación::  53488
Venus
mk232 1918 Oil on canvas 99x64.7cm
Italian Expressionist Painter and Sculptor, 1884-1920

   
 

 

 
   
      

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VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660

Pintura Identificación::  54779
Venus
mk237 1650 Oil on canvas 122.5x197cm
Spanish Baroque Era Painter, 1599-1660

   
 

 

 
   
      

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Joseph Mallord William Turner

English Romantic Painter, 1775-1851

Pintura Identificación::  54884
Venus
mk238 1819 Watercolour 22.4x28.7cm
English Romantic Painter, 1775-1851

   
 

 

 
   
      

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Joseph Mallord William Turner

English Romantic Painter, 1775-1851

Pintura Identificación::  54977
Venus
mk238 1840 Watercolour 24.5x30.9cm
English Romantic Painter, 1775-1851

   
 

 

 
   
      

This artist (Henri Matisse) is not available now.

This artist (Louis Lcart) is not available now.

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Henri-Pierre Picou

(27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch. His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire

Pintura Identificación::  72725
Venus
Oil on canvas 81.9 X 61 cm (32.24 X 24.02 in) cjr
(27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch. His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire

   
 

 

 
   
      

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Henri-Pierre Picou

(27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch. His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire

Pintura Identificación::  74555
Venus
English: Venus Date Medium Oil on canvas Dimensions 81.9 X 61 cm (32.24 X 24.02 in) cyf
(27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch. His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire

   
 

 

 
   
      

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Lorenzo Costa

Bologna 1460-Mantua 1535

Pintura Identificación::  83250
Venus
Date between 1515(1515) and 1518(1518) Medium Oil on poplar cjr
Bologna 1460-Mantua 1535

   
 

 

 
   
      

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Agnolo Bronzino

Italian Mannerist Painter, 1503-1572

Pintura Identificación::  85642
Venus
1540-1545 Medium Deutsch: Öl auf Holz Français : Oil on wood cyf
Italian Mannerist Painter, 1503-1572

   
 

 

 
   
      

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Lorenzo Costa

Bologna 1460-Mantua 1535

Pintura Identificación::  89106
Venus
between 1515(1515) and 1518(1518) Medium oil on poplar cyf
Bologna 1460-Mantua 1535

   
 

 

 
   
      

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Lucas Cranach the Elder

b. 1472, Kronach, d. 1553, Weimar

Pintura Identificación::  93744
Venus
1532(1532) Medium oil on panel Dimensions 37 x 24 cm cjr
b. 1472, Kronach, d. 1553, Weimar

   
 

 

 
   
      

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Pedro Americo

de Figueiredo e Melo (Areia, Brazil, 29 April 1843 - Florence, Italy, 7 October 1905) was one of the most important academic painters of Brazil. He was also a writer and a teacher. He moved to Rio de Janeiro in 1854, where he was granted a scholarship to study in the Academia Imperial de Belas Artes (Imperial Academy of Fine Arts). Later he furthered his studies in Europe, at the École des Beaux-Arts in Paris, being a pupil of Jean-Auguste-Dominique Ingres, Hippolyte Flandrin and Carle-Horace Vernet, winning much praise for his paintings, and achieving the Doctorate in Sciences at the University of Brussels, in 1868. Returning to Brazil, he produced a great series of masterpieces, including one of the most well known works of art in Brazil: Independence or Death!, depicting the moment when Prince Peter declared the country independent from Portugal, a work that has illustrated History books for elementary schools in Brazil for decades. Living mostly in Florence, Italy but traveling extensively back and forth from Rio de Janeiro, Pedro Am??rico managed to work also as a lecturer and an art historian. He married Carlota de Ara??jo Porto-alegre (1844?C1918), daughter of painter and diplomat Manuel de Ara??jo Porto-alegre, and they had children. Knighted by the German Crown he was also Great Knight of the Order of the Holy Sepulchre. With the proclamation of the Republic in Brazil in 1889, he was elected a deputy of the National Assembly.

Pintura Identificación::  97106
Venus
oil Dimensions 80 X 50 cm (31.5 X 19.7 in) cyf
de Figueiredo e Melo (Areia, Brazil, 29 April 1843 - Florence, Italy, 7 October 1905) was one of the most important academic painters of Brazil. He was also a writer and a teacher. He moved to Rio de Janeiro in 1854, where he was granted a scholarship to study in the Academia Imperial de Belas Artes (Imperial Academy of Fine Arts). Later he furthered his studies in Europe, at the École des Beaux-Arts in Paris, being a pupil of Jean-Auguste-Dominique Ingres, Hippolyte Flandrin and Carle-Horace Vernet, winning much praise for his paintings, and achieving the Doctorate in Sciences at the University of Brussels, in 1868. Returning to Brazil, he produced a great series of masterpieces, including one of the most well known works of art in Brazil: Independence or Death!, depicting the moment when Prince Peter declared the country independent from Portugal, a work that has illustrated History books for elementary schools in Brazil for decades. Living mostly in Florence, Italy but traveling extensively back and forth from Rio de Janeiro, Pedro Am??rico managed to work also as a lecturer and an art historian. He married Carlota de Ara??jo Porto-alegre (1844?C1918), daughter of painter and diplomat Manuel de Ara??jo Porto-alegre, and they had children. Knighted by the German Crown he was also Great Knight of the Order of the Holy Sepulchre. With the proclamation of the Republic in Brazil in 1889, he was elected a deputy of the National Assembly.

   
 

 

 
   
      

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Lorenzo Costa

Bologna 1460-Mantua 1535

Pintura Identificación::  97219
Venus
between 1515(1515) and 1518(1518) Medium oil on poplar wood cyf
Bologna 1460-Mantua 1535

   
 

 

 
   
      

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Lorenzo Costa

Bologna 1460-Mantua 1535

Pintura Identificación::  97618
Venus
Venus Date between 1515(1515) and 1518(1518) Medium oil on poplar wood cyf
Bologna 1460-Mantua 1535

   
 

 

 
   
      

Lorenzo Costa
Bologna 1460-Mantua 1535
Venus

        
 
   
 

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